In today’s digital age, art has broken free from traditional boundaries, effortlessly reaching a global audience. At the forefront of this artistic revolution is MOTILE ART, a pioneering platform dedicated to showcasing the diverse talents and creativity of artists worldwide. Building on the success of its previous editions, MOTILE ART proudly presents the 4th International Online Art Exhibition 2024, a virtual celebration of artistic innovation and cultural exchange. This exhibition is a testament to the power of technology in connecting artists and art enthusiasts from all corners of the world. Our dynamic virtual platform allows visitors to explore a rich tapestry of artworks without the constraints of physical space or geographical limitations. With just a click, attendees can access a meticulously curated online gallery featuring paintings, sculptures, mixed media, digital art, installations, and more. The beauty of MOTILE ART’s exhibition lies in its inclusivity and global reach. Artists from every nation, culture, and artistic background are encouraged to submit their creations, fostering an environment of cultural diversity and artistic dialogue. This international gathering transcends language barriers, connecting individuals through the universal language of art. We are thrilled to have enthusiastic artists join us and welcome viewers to share their valuable suggestions for the betterment of our platform through future initiatives. Together, let’s continue to push the boundaries of artistic expression and cultural exchange.
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Abhijit Paul
Siliguri, West Bengal, India
Abhijit Paul was born in 1999 in Siliguri, West Bengal. Schooling and higher studies were completed in Siliguri. Currently, a bachelor’s degree in painting is being pursued from Dr. Sobha Bramha Music and Fine Art College, Kokrajhar, Assam. Daily life is depicted through paintings, with elements from nature and surroundings being composed through imagination. Memories of childhood, such as birth and sleeping beauty, are shown. Simple houses are framed. Watercolor is chosen as the primary medium due to its softness and effects. Comfort is found in this medium, and it is loved.
Akanksha Sharma
Chandigarh, India
Akanksha Sharma was born and raised in Chandigarh, where a keen interest in fine arts was developed in childhood. A passion was pursued as a profession, leading to a Bachelor’s degree in Fine Art in Graphics (Printmaking) from Government College of Art, Chandigarh. A Master’s degree in Fine Art in Graphics (Printmaking) is being pursued from the same college. Various printmaking techniques were learned over six years, with a preference for woodcut as a means of self-expression. Inspiration is drawn from basic geometric shapes, interiors, and the environment, influencing a creative process that explores form, color, and emotion.
Alireza amin mozafari
Tabriz, Iran
Art and literature, original figures of the country, have been neglected for years due to governmental and political circumstances, leading to a division between governmental and independent art. Independent art, often critical and ideologically driven, is not financially supported by the government. Performance art, known for its alternative and critical nature, has a short history in the country. Works have been created independently, focusing on war, peace, freedom, women’s rights, and contemporary art. They have been introduced to young audiences in Iran and abroad, addressing topics not allowed in Iran. Connection between eastern and western art is now being sought.
Anupam Basu
Kolkata, West Bengal, India
The complexities of living in a densely populated society are explored in the art, where the desire for peace coexists with profound isolation and detachment. Suffocating crowds, sensory pollution, and urban anonymity are depicted through the work. Existence is navigated mechanically, with physical presence contrasting mental detachment, amidst competition and survival struggles. Video art is utilized for its dynamic exploration of time and movement. Animation transforms visuals into sensory experiences, rather than static representations. The human body is portrayed as a vessel of pure existence, free from societal tags, highlighting the tension between individuality and the overwhelming crowd.
Arup Mal
Suri, West Bengal, India
In the artistic practice, drawing is primarily utilized, with a focus on figurative images and studies. Visual elements of the surroundings are captured, and the potential of various mediums is explored. Mindfulness is maintained in interactions with the environment, materials, and social media. The artistic process involves being present and aware of the impact of actions on the surroundings. Through this practice, the artist’s connection to the world is examined, and the boundaries between artist, medium, and environment are blurred. The artwork is a reflection of this mindful interaction, inviting the viewer to contemplate their own relationship with their surroundings.
Ashita Gupta
Varanashi, UP, India
Ashita Gupta, an Art Practitioner based in Varanasi, is currently undertaking a Doctoral research program at Banaras Hindu University. Her PhD thesis, “An Analytical Study of Autobiographical Artworks and Their Impact in the Indian Context,” is being explored. A composition has been created, portraying a figure asleep amidst cacti, symbolizing troubles that have become a fixed part of her existence. Elements conveying movement and fluidity have been included to depict change. Another piece has been developed, capturing the essence of entrapment in comfort, employing circular motifs and materials enhancing envelopment and softness, juxtaposing comfort with restriction.
Awe Haiwe Francois
Allemagne
AWE HAIWE FRANÇOIS, born in 2002, is a Cameroonian visual artist living and working in Maroua. Drawing has been enjoyed and practiced since childhood, but it was at university that his painting skills were discovered and affirmed. A approach is adopted by HAIWÉ, exploring life in general, considered a card game. Existence is reflected upon, with each card representing an experience, choice, or chance. Paintings are used to depict these cards, creating works that invite contemplation and reflection. The art of HAIWÉ is a thoughtful exploration of life’s journey, where every moment is a card played.
Bandana Paul
Noida, India
A studio is maintained by Bandana Paul, an art practitioner, in the vibrant art society of Kaladham. Formal training in art was received at the prestigious Delhi College of Art. Paintings of native birds are being created using acrylic, gouache, and watercolour mediums, serving as a source of peace and meditative practice. Inspiration is drawn from the natural environment, with beauty and tranquillity being reflected upon during the creative process. Biological diversity of birds is celebrated through art, showcasing their variety and abundance. Traditional art skills and methods are being preserved, committing to classical techniques in a world valuing digital art.
Debanjaly Sen
Kolkata, West Bengal, India
Debanjaly Sen, originally from West Bengal, India, is currently based in Tuscaloosa, Alabama, where a second MFA in Painting and drawing is being pursued at The University of Alabama. An MFA was previously obtained from Sister Nivedita University, supported by the prestigious Chancellor Merit Scholarship. Women are portrayed as protagonists in the work, exploring themes of gender, identity, and objectification. A fragmented female form is depicted, exuding sublimity, challenging objectification, and embodying empowerment. Societal prejudices against femininity are rejected, presenting an honest depiction of the female form, emphasizing psychological and emotional depth through intricate postures, distortion, and fragmentation.
Dhawal
Maharastra, India
A film opportunity in 2012 allowed the portrayal of a hijra, opening up a new world and mindset. Decades of unanswered questions about the Queer and Trans community were humbly addressed. The ease of walking through life without understanding was realized, and the need for safe spaces for these communities was acknowledged. The film, “Treaty of Peace,” was created to initiate a conversation about internal struggles and acceptance. A long conversation is being started to raise awareness and eventually create a safe space for the Trans and Queer community, hopefully leading to a more inclusive society.
Diana Hopman-Betjes
Aruba
A passion for painting was discovered in 1999 at an oil painting workshop in Scottsdale, Arizona. Acrylic paint was tried after a couple of years, and painting has continued since. Various mediums have been explored, including canvas, wooden boxes, driftwood, paper collages, glass beads, mosaics, pottery, and ceramics. Inspiration has been drawn from travel, geography, history, and maps. Old maps, encyclopedias, and travel magazines have been repurposed as backdrops for paintings. Island-themed artwork has been created, featuring pineapples, palm trees, cutlery, turtles, and sea life. Artwork has been displayed in galleries and shops around Aruba and featured in the Aruba Art Fair.
Dibyendu Panja
Paschim Midinapur, West Bngal, India
Dibyendu Panja is the name, and metamorphosis is the subject being explored. Domesticated animals were seen in every house in the village, including own home, during childhood. Financial help and odd word pairings have become subjects in paintings. People are being depicted traveling from one place to another for work, leaving behind “home taste” and carrying old happy memories. A constant struggle to sustain oneself is being portrayed, whether in a busy city, nature, or at any time. The artist’s experiences and observations are being reflected in the artwork, showcasing the transformations and challenges faced.
Dipanwita Biswas
Birmingham, UK
An intense attraction to art was felt from a young age, growing stronger with time. The pandemic allowed for self-discovery, transforming childhood passion into profession. Art is understood to complete oneself. Growing up in a village, rural influences are ingrained, emerging through subconscious mind in works. Elements from nature are used, each carrying meaning, resulting in unique outcomes. Expertise has been developed in various mediums, including acrylic, eco printing, and embroidering, through self-taught dedication. Continuous learning and experimentation are committed to, aiming to create compelling artwork resonating with diverse audiences. Artworks are created to evoke emotions and connections.
Ghanshyam Sarkar
Nagaon, Assam, India
The surrounding environment and society are being explored in the current practice, with layers unfolding one after another, revealing new hope and light. Daily incidents are being intertwined, questioning societal and environmental issues, creating diversity and complexity. The direction and light of novelty are being changed, altering perception. Overlapping lines are being used to add depth and richness to artistic expression, weaving a narrative that captures the essence of a dynamic journey. “Citylights” was created by making holes in paper, revealing intriguing forms resembling a cityscape. Hidden journeys are being explored behind the dazzling light of the city.
Hellga Io
Russia
A mysterious surrealist artist, Hellga Io, is being inspired by the world of pain, fragility, danger, and beauty. The Gothic style is being drawn upon, but also overcome and deconstructed in her artistic practice. Themes of pain and fragility are being explored, and the boundaries of beauty and danger are being pushed. Through her work, the Gothic style is being reinterpreted and transformed, creating a unique and captivating artistic vision. Hellga Io’s art is being shaped by her fascination with the darker aspects of life, resulting in a distinctive and thought-provoking body of work.
Hemant Dhane
Palghar, India
A full-time painter for over 20 years, an alumni of Sir J J School of Art, and a Mumbai-based artist, research has been conducted on the language of abstract art. Guidance has been received from mentor Prabhakar Kolte. Writing has been done on art and personal experiences of visual art, including a catalogue for Kolte’s one-man show at Delhi’s Tag Art Gallery in 2020. An international art award has been received for a creative portrait from Italy, and a work and short article have been featured in America’s art magazine. An international show is being planned in New York.
Joydeep Bhattacharjee
Agartala, tripura, India
Joydeep Bhattacharjee, an artist from Agartala, Tripura, is being recognized for his work. He is being employed as a teacher at the Government College of Art & Craft, Agartala, and is actively engaged in his artistic practice. Digital and mixed media are being explored in his current works. The pressing issue of identity crisis within the LGBTQ community is being addressed as the central theme in his paintings and digital creations. The struggles and challenges faced by members of the LGBTQ community are being highlighted and brought to attention through his art.
Joyeta Barman
Purba Medinipur, West Bengal, India
Joyeta Barman, a visual art practitioner based in Shantiniketan, has completed her BFA and MFA in Graphic Art (Printmaking) from Kala Bhavana, Visva-Bharati in 2021 and 2023. Ideas for her art practice are emerging from daily activities and relationships with surrounding objects. Tools and materials used represent collective memories and everyday household activities. Common objects are being used as metaphors for social structure. Conventional and unconventional printmaking methods are being explored. The process of documentation is being problematized, questioning authenticity through manipulation and multiple methodologies. Lino stamps, block prints, and other techniques are being used to create layers and optical illusions.
Khushboo Upadhyay Soni
Mathura, UP, India
Khushboo Upaadhyay is a full-time practicing artist, and her work is focused on gender equality. Stereotypes in society are being explored and challenged through her art. Gender-based societal norms and expectations are being questioned and subverted. The artist’s creations are aimed at promoting equality and breaking down barriers. Through her work, stereotypes are being confronted and reinterpreted, sparking conversations and reflections on gender roles and expectations. The artist’s passion for gender equality is being expressed and advocated through her art, inspiring change and awareness.
Kiran Sinha
Silchar, Assam, India
Kiran Sinha’s artistic explorations are focused on thoughts, emotions, and challenging societal ideologies. Inspiration is drawn from nature’s patterns, leading to the creation of textured, multidimensional pieces symbolizing interconnectedness and resilience. Boundless possibilities are allowed through the limitless space in the work. Personal growth, artistic achievements, and community impacts are aimed for. Skills are continuously refined, new materials experimented with, and connections between nature and humanity deeply explored. The unbound growth of roots inspires, teaching resilience, adaptability, and patience. Sutali rope on a stretcher is used to create forms of spreading roots, offering various perspectives and symbolizing agility and collective goals.
Neelam Chauhan
Sangolda, Goa, India
Born and raised in Ajmer, Rajasthan, a Bachelor’s degree in Fine Arts was earned from MS University, Baroda, with a specialization in sculpture. A Master’s in Visual Arts was pursued from S.N. School, Hyderabad Central University. An artistic practice is being cultivated in both Goa and Rajasthan. Teaching is being done as an Assistant Professor at a design college in Goa. Spaces are being recognized as vessels of memories and the passage of time. Surrealistic spaces are being crafted to capture the essence of time, presence, and lingering memories. The essence of time and memories is being explored and represented through art.
Nidhi Rindani
Maharastra, India
Nidhi Rindani Kashyap, a Pune-based artist, specializes in blacklight art using neon medium. Born in Rajkot, Gujarat, she holds a BFA in Painting from Veer Narmad South Gujarat University. Nidhi’s work explores themes of power, freedom, and reality. Her artworks, “The Centerpiece” and “Entangled”, question the dynamics of attention and freedom. With exhibitions in Ahmedabad, Mumbai, Pune, and online shows, Nidhi is a rising contemporary artist. She draws inspiration from people and situations, seeking to flourish in her unique medium. Her art challenges perceptions, inviting viewers to rethink reality.
Mila Gvardiol
Serbia
Mila Gvardiol’s work, encompassing painting and digital art, is inspired by architecture’s geometric forms. Architectural elements are distilled to their simplest forms, creating intricate geometric compositions. In “Geometric Variations,” basic shapes are explored in two and three dimensions to build perspective, emphasizing geometric abstraction. Simple, monochromatic shapes intertwine, forming a backdrop for a prominent orange cuboid, which casts a shadow adding depth. The series adheres to deconstruction principles, forming and reforming relationships through dismantling and synthesis. Contrast in color and dimension celebrates diversity, highlighting dominant elements and emphasizing individuality in a society that values conformity.
Polina Bulgakova
Israel
A Russian-Israeli 3D artist’s work is deeply influenced by contrasting cultures, embracing inner conflict and combining opposites. Common objects and scenes are reimagined in extraordinary environments, challenging conventional perceptions. Viewers are invited to journey through surreal landscapes that defy logic and physics, provoking wonder and curiosity. The work explores the beauty of contrast and contradiction, reflecting the complexity of human experience. Inspiration is drawn from Russian folklore and Mediterranean lifestyle, blending diverse influences. The art inspires others to see the world anew, questioning the ordinary and embracing the extraordinary. Peace and conflict are delicately balanced.
Parita Vora
Ahmedabad, India
Art is perceived as a flight of fantasy and snapshots of reality, allowing the mind to roam and create visually appealing pieces. Daily life experiences and objects inspire paintings, with a focus on expressing emotions and perspectives as a woman. The work is a constant search for interpreting ideas about oneself and the world. No limitations are set on medium, style, or concept, as inspirations and ideas evolve with changing knowledge. Each piece created is an extension of past experiences and learned knowledge, while also offering a glimpse into the future. Perspectives and emotions are conveyed through art.
Payal Chakraborty
Noida, UP, India
Sustainability is core to the art practice, with human emotions integral to the work. An ISH/London Met Scholarship enabled exploration of capitalist consumer behavior, landfills, and climate change through mixed media works. Nature’s response to human actions was explored, with a shift to repurposing scrap materials. However, the use of synthetic resin was questioned, prompting reflection on the creative practice. Traditional art forms like Sholapith and Talapatra painting were researched and incorporated, bridging the gap between traditional and contemporary art. The human-nature intersection is addressed, inviting viewers to appreciate nature and assess their role as consumers, promoting thoughtful use of resources.
Radhika Devedi
Ludhiana, Punjab, India
Radhika Devedi, born in 1997 in Ludhiana, holds an MVA in Graphic Arts from Visva Bharati University and a BFA in Painting from Amity University. Her art explores the complexities of human nature, emotions, and psychological states, focusing on attachment, vulnerability, loneliness, and desperation. Through portraiture, she captures the multifaceted nature of humanity, highlighting strengths and fragilities. Inspired by human experience and emotions, she employs various styles to invite viewers to engage deeply with her work, creating a space for introspection and connection. Her art delves into the intricacies of human existence, encouraging interpretation and contemplation.
Rajesh Barman
Coochbehar, West Bengal, India
Inspiration is drawn from immediate surroundings, focusing on the vulnerable human condition. The transient nature of being is explored through works that capture the contrast between the place left behind and the place migrated to. Distinctions between natural and industrial space are emphasized. A mobile phone is used as the immediate tool to create artworks. The human experience is reflected upon, inviting contemplation on one’s relationship with space and identity. The complexities of belonging and dislocation are conveyed through art, offering perspectives on displacement and migration. Emotions and thoughts are evoked through this creative process.
Rudra Kishore Mandal
Kolkata, West bengal, India
As a queer artist, I explore themes of identity, sexuality, and social justice through various mediums like watercolor, digital graphics, and installations. My art is a reflection of my thoughts on worldly matters, as well as my personal lunacies, fantasies, and self-expressions. Recent works include “Isolation,” which parallels pandemic-induced isolation with the experiences of marginalized communities, and “Tara,” a feminist reimagining of Hindu and Buddhist mythology. My art invites intimacy, inspires introspection, and provokes dialogue, seeking to create a sense of belonging for queer individuals and challenge societal norms.
S.R.C.S.Ranabahu
Anuradhapura, Srilanka
S.R.C.S. Ranabahu is a Sri Lankan contemporary artist and researcher. He holds a BA (Hons) in Visual Arts from the University of Colombo and is pursuing a Post Graduate Degree in Lalitha Kalapathi at the University of Kelaniya. Ranabahu has experience as a government teacher and has authored research articles on visual arts. He is also researching ancient letters and epigraphs. Through his art, he addresses Sri Lanka’s social, economic, cultural, and political collapse, offering a critical perspective on the nation’s current state. His work serves as a commentary on pressing issues facing his country.
Sagar Kundu
Kolkata, West bengal, India
As a Master’s student in Printmaking, my artistic practice captures life’s atmosphere and circumstances. With expertise in lithography, etching, and Collograph, I draw inspiration from everyday life, people, and nature. My creative process involves personal thinking and juxtaposition to convey sensual pleasure and ephemeral quality. I combine objects and references from old artworks, exploring ideas, erotic thinking, and states of mind. Fascinated by mechanical engineering, I incorporate diverse objects and industrial machines, highlighting their unique qualities and modern essence. This curiosity drives my artistic expression, seeking to capture life’s intricacies through printmaking.
Sandipan Acharjee
Nadia, West Bengal, India
Sandipan Acharjee, from Kalyani, has an art practice that explores daily life as a worker. Livelihood stories are being woven into objective compositions. Thread was adopted as a creative tool during the Covid period, evoking childhood memories of his mother stitching clothes to survive. Collected threads from his mother’s work are being used to create weavings, symbolizing existence and hope. Embroidery is being used as a meditative method to reminisce about past memories and weave present life scenarios. Factory images are being explored in his work, including “Old Switch Board” and “Old Meter Board”, created using full-hand embroidery.
Satyam Kumar
Ranchi, Jharkhand, India
Satyam Kumar, a recent BFA graduate from Kala Bhavana, Shantiniketan, is being inspired by impressionistic methodology in his art practice. The importance of light and color application is being understood, contributing to the emergence of visual images. Color impressions are being focused on as the primary residue of perceived images. Flat color patches or marks are being applied, juxtaposing each other to construct images. Dependence and interrelations between image elements are being expressed, creating an ecosystem rather than individual elements. Visual appearances are being explored, and images are being created through this process.
Savithri K C
Thalichalam, India
Savithri KC, a graduate and postgraduate from Faculty of Fine Arts, MSU Baroda, currently resides in Kerala and works as an Art teacher. Memories of a distant land, bygone events, and people are being relived and revealed through artworks. Moments of the past are being painted, rooted in the village, home, and landscape. Conflicts and confessions are being poured out through paintings. Paper and watercolor are being used as materials and mediums. Rice paper has been experimented with, offering transparency and visual subtlety. Paper making has been explored, adding sensitivity to the work. Layering plays a prominent role in the art process.
Sidhan Kundaikar
Goa, India
Sidhan Kundaikar, a multidisciplinary artist and fashion design enthusiast, graduated from the Goa College of Art and completed post-graduation in 2022. A visual art practice is being maintained alongside fashion design, blending style and flair. Creative horizons are being expanded through experimentation with diverse themes, influences, and mediums, creating immersive projects reflecting surroundings and everyday life. As Design Faculty at JD Institute of Fashion Technology in Goa, artistic endeavors are being pursued. Art is being used as a journey of self-discovery, translating subconscious thoughts into fluid drawings. Various mediums and techniques are being explored, expanding creative voice and finding solace in the process.
Soham Reja
Murshidabad, India
Soham Reja, originally from Murshidabad, West Bengal, is currently studying in the Painting department at Government College of Art and Craft, Agartala. Artworks are being created based on personal experiences of daily life struggles, landscapes, ruthless urbanization, and societal issues. Multiple colors and strokes are being used in the paintings to convey emotions and themes. The artist’s experiences and observations are being reflected in the artworks, which are a representation of the artist’s perspective on the world. The paintings are a window into the artist’s thoughts and feelings about the struggles and challenges faced in daily life.
Suresh Babu Maddilety
Telangana, India
Suresh Babu’s multidisciplinary art practice blends science and philosophy through diverse mediums. The cyclical nature of existence, inspired by Roger Penrose’s Conformal Cyclic Cosmology, is being explored in ongoing projects. Essential elements are being transformed into recognizable figures with a playful approach. The perpetual evolution of matter towards the future is driving the artistic process. “Socia Liquids,” an ongoing video art series, comprises 11 works created between 2015 and 2024. Material transformations are being dissected, and cultural meanings associated with social commodities are being viewed as an art form. Viewers are being invited to reflect on the fluidity of existence and limitless potential for creation.
Tanya Gupta
Varanashi, UP, India
Tanya Gupta, an artist from Varanasi, has transitioned from creating realistic depictions to exploring conceptual art. A bachelor’s degree was completed from the Faculty of Visual Arts, BHU, and a master’s degree was recently completed from Kala Bhavana, Visva-Bharati University, Santiniketan. The profound importance of ordinary women, particularly mothers, is being portrayed. The challenges faced by women in managing public and private workplaces and navigating societal expectations are being highlighted. Emphasis is being placed on illuminating the profound emotions experienced by women fulfilling various roles and how societal expectations stifle their aspirations. Unrealistic expectations and pressures on women are being critiqued.
Tanya Stashkova
Russia
Tanya Stashkova’s artistic practice is situated at the intersection of surrealism and book illustration, where a unique style is being cultivated. Fantastical elements are being blended with meticulous attention to detail, resulting in captivating, dreamlike narratives. A distinctive visual language is being developed, characterized by intricate and imaginative storytelling. Through her work, surreal and fantastical worlds are being created, inviting viewers to immerse themselves in captivating narratives. Tanya Stashkova’s artistic vision is being expressed through a blend of traditional and contemporary techniques, yielding a distinctive and enchanting body of work.
Tarun Rajvansi
Delhi, India
Tarun Rajvansi, born in 1995 in Delhi, is being recognized as a self-taught artist continually exploring new creative avenues. Oil and acrylic paintings are being used to delve into the intricate interplay of stability within intimately framed compositions. A myriad of themes, including rigidity, stubbornness, and societal standards, are being explored. Irony and sensations are being evoked, inviting viewers to ponder the layers of meaning embedded within. Inspiration is being drawn from various sources, including spontaneous happenings and deep-seated emotions. Paintings are reflecting diverse experiences, showcasing the artist’s unique perspective and creative vision.
Nice exhibition. All wokr is very artistics. Specially i love Rudra Kishore Mandal’s work.
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Thank you for doing this online exhibition, it helps us to see many art work easily. Loved seeing the works of Rudra Kishore Mandal in particular
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Congratulations all the participants ❤️💐
and special thanks to all members of Motile for creating such a wonderful platform for practicing artists. My warm regards to all the jury members for selected my work for this show.🙏
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দারুণ দোস্ত. চালিয়ে যাও…dipanwita biswas swthrt…..
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Very interesting video!
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I love Tarun Rajvansi’s work. His title and concept of work I find amazing.
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Such pretty pieces 😭🎀
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Trun you are the best bro
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